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Automatic Anilox Cleaning Machine
from FLEXOWASH, Denmark
Sleeve library is maintained
from Rossini, Italy.
Automatic Plate Mounting Machine from BIEFFIBI, ITALY
2 Gensets of Jackson with the combined capacity of 1000 kW to ensure the power 24 X 7
Waste Scrapper & Compressing Machine to ensure that every waste is damaged.
SECOND TO NONE
Anilox library is maintained
from Sandon, UK.
Distillation Plant from OFRU, Germany.
Automatic Plate Washin Machine from FLEXOWASH, Denmark.
Complete Plant is equipped with UPS from smooth production.
QUALITY STANDARDS
CI Flexo with fully automation from Wndmoller & Holscher Germanay and Cararro SRL Italy.
3 Layer & 7 Layer Blown Film Lines with complete automation from Rajoo & Plastcontrol, Germany.
Solventless Lamination Machine from Nordmeccanica.
High-Speed Slitting Machines from Kalpvrux.
High Speed Inspection Machines from Kalpvrux
Fully Automatic Wicketer and other pouch-making machinesfrom Hudson Sharp, Belgium.
IN PERFECT HARMONY
MEN AND MACHINES
Maintaining high-quality standards with our process
01
Distillation Plant, from OFRU, Germany.
This machine ensures cleaning and recycling of contaminated solvent / alcohol to save the cost & reduce environmental impact.
02
Automatic Plate Washing Machine
The fully automatic Plate Washers are designed to wash print plates very gently, leaving them 100% clean and dry, ready for immediate reuse to get high print quality
03
Automatic Anilox Cleaning Machine
the fully automatic Anilox cleaner is designed to wash Anilox rollers very gently & leave the anilox totally clean and ready without causing any wear and tear the anilox. Ensuring a constant and high print quality.
04
Automatic Plate Mounting Machine
This machine is for mounting flexographic plates on sleeves with both motorised cameras to get accuracy & consistency of less than 5 microns, ensuring constant and high print quality.
Quality Control
How do we measure our success?
With Yours!
At Sriram Flexibles, we are sticklers for getting every little thing right. We worry about the fraction of a millimetre, we nitpick about getting the exact match of colours, we agonise over the perfect symmetry in cutting. This obsession with the minutest of details is the price we pay for flawless results.